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It’s a short show today and will be for the next one or two episodes. We’ve been doing this for two and a half years now and we’re feeling the need to revamp the show’s format. So, for the next couple of episodes we’re going to have one short topic until we find our new voice.
Today, as we kick off our “introspection tour,” our topic is the photographic sin. What sin (or sins) have you been guilty of in your photography? Also, what photographic sins are you just sick and tired of seeing other people make? For us, it runs the gamut from not shooting enough to Photoshop actions to selective coloring/desaturation.
What do you think? Are we right or wrong?
And, if you want to have some input into where we take the show, leave us a note!
Oh, and if you’re still doing this, stop. Just stop now.
A Legacy of Images
Legacy? We have a legacy?
In tonight’s show, we get off to a weird and dark start (lots of swearing, WARNING) with the introduction and pwncasting (that’s where we sucker some unsuspecting person who innocently logged into Skype into joining us) of “The Nuge”! Thanks man, that was fun. BTW, the rest of the pre-show banter was recorded and is at the end of the show.
After that we settle into our normal routine and Tony asks us about what we think our legacy will be and, perhaps, what it already is. How about you? What do you see your photographic legacy being? Do you even think you’ll have one? Let us know in the comments below what your thoughts are. We’d love to have the conversation! Continue reading
This show is pretty late in coming out and I (Rob) have a perfectly good reason – I kinda forgot to put it out.
Anyway, great show tonight with a discussion on whether or not it’s still relevant to ask the question, “did they use Photoshop?” I had a conversation on twitter with a group of photographers on Twitter and it started off with a conversation about images that are staged or posed and, of course, it moved on to post-production. Then one of the other guys tosses this out, “Its deciding where photography ends and Photoshop wizadry starts.” Continue reading
It’s Called Life, Dammit!
Life. Sometimes it sucks, sometimes it’s awesome, and sometimes it lets you get drunk on Amaretto. Be that as it may, no matter what we do, no matter where we go, we seem to always see people with their damned arms in the air, holding their phones and taking video/pictures of whatever the hell is happening around them. And we do it, too. But should we? Are we so concerned about recording life as it happens that we’re no longer actually experiencing it? Yeah, we think we are. And that shit has to stop.
We’re all about taking pictures and being recorders of history but let’s also make sure that we are no disengaging from life and no longer making history.
Seriously,we need to cut that shit out.
Today, we look at Marc Hauser, one of the pioneer modern-day portrait photographers. His ability to capture people in real-life poses and expressions makes for some of the most captivating images we’ve seen in a long time. He’s a helluva shooter and a trip through his galleries is worth 30 minutes of your life.
And then Rick throws us a curve ball. After introducing us to several macabre artists and other “interesting” characters over the past couple of years, he chooses Mr. Americana himself, Norman Rockwell. But hey, it’s about life, right?
We took a different path today and decided to look at our own work. After two years (almost) of the podcast, we thought,”what the hell” and talked about the work we have done, where we have come from, and where we think we are going.
It gets a little sugary and supportive – certainly a departure from other podcasts – but we’ll be back next time with our normal crap. But this is a really decent show and gave all three of us an opportunity to look the other guys’ work and talk about it. You can definitely see a progression in the work we’ve done and the artistic vision that we’ve developed since starting Polarizing Images back in September 2011.
Take a look at the stuff below and let us know what you think. C’mon, leave us a comment – you know you want to!
The Work of Others (Our Artists)
Lewis Hine is our photographer of the fortnight. His work for the National Child Labor Committee changed the way the US looked at the use of child labor. He has some of the most iconic works of America’s industrial age. Except, like Rob discovered, some of his most well-known work isn’t actually his. ^#%&# Internet!
FREEBIRD! Yup, Lynyrd Skynyrd (the original group) is our artist. What do we have to say about them? Listen the show, then, dammit!