Tag Archives: Clients

Legacy, Photography, and Va… WHAT? Episode 63

A Legacy of Images

Legacy? We have a legacy?

In tonight’s show, we get off to a weird and dark start (lots of swearing, WARNING) with the introduction and pwncasting  (that’s where we sucker some unsuspecting person who innocently logged into Skype into joining us) of “The Nuge”! Thanks man, that was fun. BTW, the rest of the pre-show banter was recorded and is at the end of the show.

After that we settle into our normal routine and Tony asks us about what we think our legacy will be and, perhaps, what it already is. How about you? What do you see your photographic legacy being? Do you even think you’ll have one? Let us know in the comments below what your thoughts are. We’d love to have the conversation! Continue reading »

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New Seminar Series – Hybrid 101 with Robby D

Hey everyone,

This is just a quick announcement – this Sunday (February 9th) the hybrid hero team over at HybridPHOTO.pro and I are launching a new series called Hybrid 101 with Robby D (that’s me). You’ve heard me talk a lot on the show about hybrid photography and this new series is to introduce all photographers, regardless of previous skill or experience, to the photographic realm of hybrid photography. Continue reading »

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I Hate It… I Love It… It’s Episode 61

Finally, Tony reveals the answer to the great question, what did he mean when he said Grammar Nazi knows a think or two about self-abuse? And Rob compliments the contrast. It’s something we love… Continue reading »

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When Will 3D Photography Become Common? Episode 56

We’ve been on a pretty good tear, lately. Awesome topics and disagreements among the hosts. Some of our best shows ever! And, we think, today is no exception. Rick is the one behind tonight’s topic and he asks a simple question: will (or when) will 3D photography become common? And we get off onto a discussion about what’s causing the delay in the adoption of it. Is it the lack of technology? The lack of standards? The cost? The inability to use 3D filming to enhance the story instead of being the story? The fact that the porn industry hasn’t adopted it yet?

3D photograph

© Frank DeFreitas, used under Creative Commons Licensing

For over a century, we’ve understood how the mind process visual information to create the 3D effect. But the technologies that have been used to create it or to consume it has changed. But we still have to have some sort of gear in order to “see” it. Whether it’s paper glasses with the red and green lenses, lenticular lenses, etc., we still have to wear something or use a bulky piece of gear to experience 3D. But, possibly, we may have the answer in Google Glass. Sure, you’re going to look like a complete frickin’ dork wearing them, but if they can create a 3D HUD (heads up display), we may finally have a practical piece of 3D equipment that can get us past the tipping point of acceptance. As for being fashionable, if we as a culture accepted polyester leisure suits as fashionable, Google Glass stands a good chance of being considered chic.

What do you think? What would it take for you to fully embrace 3D photography? Does it need to be cheaper? Does it need to have a real purpose to it? Or do you care at all? Let us know in the comments section below, will ya?

Our artist for today is James Cameron. Dude does some crazy stuff, including epic movies like Avatar (designed for 3D, BTW). But it still gets us back to the idea that 3D photography is still about the effect and not the image. Until then, it’s pretty pointless.

Oh, and Celine Dion is the Justin Beaver of Canada (yes, we know it’s Bieber, so you have to listen to get the joke).

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Hello? Jobs, Where Are You? Episode 51

Where Have All the Jobs Gone?

There are some among us who remember the good old days where you could be a full-time photographer and making some pretty serious money. But, in light of a variety of factors, it would seem that jobs are quickly disappearing. Or, at least, jobs that paid enough to live off of. Between everyone having a camera that’s capable of compensating for mediocre skills, money-making moves by newspapers to eliminate their photojournalists, to saturated markets, etc. are there jobs to be had?

Is a job in photography as much an antiquity as old cars?It may not be as bleak an outlook as a lot of people fear.

Today we talk about the the state of the wedding photography industry, photojournalism, fine art photography, and commercial photography. We’re not in complete agreement on everything but we certainly see some bright spots.

Here’s a tip to keeping, or finding, your photography career: learn video.

No artist or photographer today as we spent a lot of time on the topic.

And, please, leave us a comment! Are you looking for a job in the industry or are you trying to figure out how to keep it? We want to hear from you!

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My Work is So Great, So Great Is My Work – Episode 50

We took a different path today and decided to look at our own work. After two years (almost) of the podcast, we thought,”what the hell” and talked about the work we have done, where we have come from, and where we think we are going.

It gets a little sugary and supportive – certainly a departure from other podcasts – but we’ll be back next time with our normal crap. But this is a really decent show and gave all three of us an opportunity to look the other guys’ work and talk about it. You can definitely see a progression in the work we’ve done and the artistic vision that we’ve developed since starting Polarizing Images back in September 2011.

Take a look at the stuff below and let us know what you think. C’mon, leave us a comment – you know you want to!

The Work of Others (Our Artists)

Lewis Hine is our photographer of the fortnight. His work for the National Child Labor Committee changed the way the US looked at the use of child labor. He has some of the most iconic works of America’s industrial age. Except, like Rob discovered, some of his most well-known work isn’t actually his. ^#%&# Internet!

FREEBIRD! Yup, Lynyrd Skynyrd (the original group) is our artist. What do we have to say about them? Listen the show, then, dammit!

 

Ball.jpgBolts.jpgCookies.jpgGhostlyShadow.jpgGuitarist.jpgLemonLime.jpgLumberjackCamp.jpgOrange.jpgParasols.jpgPierDancer.jpgSaltedPeanuts.jpgSoup.jpg

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When Does the Artistic Outrank the Technical? Episode 46

Artistic? You want artistic? How about Rob opening with the last line of Happy Birthday for Rick’s special day. Although, once you’ve had as many birthdays as Rick has, they’re no longer very special.

Artistic Versus Technical

We’ve had similar conversations before: what’s more important, how do we balance the two, etc. But in tonight’s episode, Continue reading »

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Smart Phones are the New Polaroids – Episode 44

Smart phones are all around us. In the past four years, the number of iPhones, Android-based phones, tabelts, iPads, etc. that people own has grown exponentially. They’re everywhere! Concerts, parks, on trains, in  schools… And one of the main consequences of this is that we are now back in the mode of photography being shared instantly. Sometimes this has enormous social consequences like Continue reading »

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Is Software the New Barrier to Entry? PI41

The New Barrier to Entry?

We start off with Rick trying to dial back his (seemingly) hatred of the French but then he turns his attention to the Basque region of Spain. But, hey, he does an Irish friend. If you’re familiar with the other podcasts that Tony is involved in, you’ve gotta be shocked that he is the voice of reason and sanity on Polarizing Images!

And don’t forget the new segment! Send us the Continue reading »

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It’s All About Context… and the French – Episode 40

Context is King

Okay, for the record, Rick does not hate the French. He seems really intent on convincing us that he doesn’t.

Too few photographers look at their work in the context of the subject or client. What makes an image important to the client or viewer is the broader context and Continue reading »

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