Tag Archives: Boudoir

Episode LAST! Goodbye, Farewell, Adios

And… we’re out.

Some sound clips, some memories, and some great times. A long farewell tonight but it’s worth it. To all of our listeners, a heartfelt thanks from all of us. We’ve had a great time, enjoyed offering the show, but now it’s time to say goodbye.

A fond farewell to the friends of our show like Sorry for Your Luck, Liam, Grammar Nazi, Brian, Jason, Jayda, Ivan, and Ted. Our success was due, in no small part, to your input.


See you on the next podcast, whenever (and whatever) it may be.


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People Change Their Behavior Around Cameras – Episode 55

Gotta start off with two quick notes: first, we apologize for this coming out a day late. Second, there were some technical issues with Skype when we recorded and, as you’ll hear, there are a few times throughout the show where the flow gets interrupted.

Okay, now on to the show.

It’s Tony’s turn to choose the topic and he comes up with something we hadn’t thought of before: how do peoples’ behavior change when they see  a camera? And have behaviors changed now that cameras (and smart phones, etc.) have become so commonplace in our society? Are people more guarded or more open? Are they hesitatnt about where those pictures may end up or do they care? Does it matter whether it’s a professional or an amateur who is taking the picture?

A lot of disagreement in today’s show and it makes for some good stuff. And make sure you tell us in the comments section whether you think you change your behavior when you see a camera. Or have you noticed a change in how people react over the past 5, 10, 20 years?

And should we have named this episode Babies and Bot Flies and Larvae, Oh My?

How do people's behavior change when in front of a cameraOur Artists

Our photographer is Ian Ruhter. Rob first learned of his work after watching the video, Silver and Light. You can also click on the picture to launch the video and it’s worthwhile watching. Ian not only is an accomplished photographer in his own right, but he makes his own wet plates and does all of his development; on plates much larger than we’re used to. In this age of digital photography and knowing we can make as many copies as we could ever need from the file, wet plate photography is awe-inspiring. There are no files, there are no negatives. The plate is the only copy of the photograph that exists. Not a lot of room for error and that makes Ian Ruhter a true artist.

Leonardo da Vinci is our “other” artist. Not much to say other than a true visionary who continues to influence our society to this day. The da Vinci Code may have made him a legend but Hudson Hawk balances that out. “Is looking like a constipated warthog a prerequisite for getting a job in the art world?”

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Art – Can the Creation Of It Be The Actual Art? Episode 18 Says “Yes”

Art – it’s what this is all about, right? Damned straight, skippy!

We get off to a slightly rough start this week, but there’s a reason – Rick was drunk and Rob wasn’t. After we get the universe sorted out, we quickly get into our usual flow and have an amazing discussion (if we say so ourselves) about whether or not the mere act of creating art can be the art itself.

What, exactly, makes something “art”?

Never let anyone say that a portrait can't be art

Never let anyone say that a portrait can't be art

After watching a documentary on Spencer Tunick’s Naked States – a state by state journey through the US photographing everyday (yet remarkable) people – Rob was struck by the number of the subjects who talked about how posing for Tunick’s art project was a healing and powerful experience. And that got him thinking (which always is a good idea, right?) If the therapeutic aspect of the project was in the creation of the work then maybe, from an art therapy perspective, the real art is in the creation and not necessarily the final print.

That leads us down some interesting paths as we talk about whether a blind person can create art if they are not physically engaged with the medium and the healing power of being an art subject. Rob opens up about the real strength and joy of his work!

Our photographer and artist of the week

Tony introduces us to the wonderful work of Irving Penn. From his Wiki Page:

(June 16, 1917 – October 7, 2009[1]) was an American photographer most known for his fashion photographyportraits, and still lifes. Penn’s career included work at Vogue magazine, and independent advertising work for clients including Issey Miyake, and Clinique. His work has been exhibited internationally, and continues to inform the art of photography even after his death.

Our artist of the week is the well-known and very talented jazz  musician Miles Davis. Considered to be one of the most influential musicians of the 20th century, his penchant for creating something new from nothing is an inspiration to all artists, including photographers.

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The Nude and Shooting Fine Art – Episode 12

After months of Rob talking about nudes, we finally get around to dedicating a show to the fine art nude. And of all times for Rob to have bronchitis. But, for the sake of the show, he powers through it with a lot of help from Rick and Tony!

Topics today include the difference between a fine art nude and a glamour nude, the kind of subjects Rob likes to work with, what’s it like to have a nude model in front of your lens, trust and vulnerability for both the photographer and the model, and whether or not arousal is the intent in fine art. There’s more… a lot more. After all, these are three guys talking about nudity in art.

Finding Inspiration for the Nude from Other Artists

Does the Open Clam Shell reflect the nude?

What do you think? Was Georgia O'Keefe invoking the nude form in this painting?

Today’s artist is Georgia O’Keefe and we discuss her floral paintings and whether or not there is an inherent eroticism in the painting. We spent a little more time today actually looking at the difference between overt sexuality/nudity and images where the nude has obviously been an inspiration. O’Keefe’s work is the perfect catalyst for this kind of topic.

Our photographer for this topic is Mary Ellen Mark. We focused primarily on her portraiture and celebrity work. She has an ability to connect with her subject and pull from them a real reaction, even when the subject isn’t paying attention to the camera. Check out her shot of John Belushi from the set of Blues Brothers.

We have questions for you! Would you pose for a fine art nude? Why or why not? Would you be interested in learning to shoot nudes? Do you have a moral or ethical aversion to fine art nude photography (remember, we are talking about fine art and not glamour)? Is there a difference for you between glamour and art? How would you describe that difference?

Let us know here on www.PolarizingImages.com or send us a tweet @PolarizingImage.

As always, thanks for listening!

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People On the Other Side of the Lens

Holy shit – almost an hour and a half?! But it’s worth it, trust me… Topics today include dealing with the different types of people who land in front of your lens and how to help them relax and enjoy the photo shoot. Rob surprises an unsuspecting and long-lost friend and then Tony asks her to reveal what would creep her out. Surprise, she answers!! Sorry, B_Mo, no Van Heusen shirts here! Internet “models” need not apply.

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