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A Legacy of Images
Legacy? We have a legacy?
In tonight’s show, we get off to a weird and dark start (lots of swearing, WARNING) with the introduction and pwncasting (that’s where we sucker some unsuspecting person who innocently logged into Skype into joining us) of “The Nuge”! Thanks man, that was fun. BTW, the rest of the pre-show banter was recorded and is at the end of the show.
After that we settle into our normal routine and Tony asks us about what we think our legacy will be and, perhaps, what it already is. How about you? What do you see your photographic legacy being? Do you even think you’ll have one? Let us know in the comments below what your thoughts are. We’d love to have the conversation!
So, we’re also dropping the “featured artist and photographer” segment. It’s run its course and we found ourselves struggling to choose one each episode, so it’s kind of hard to say you find someone’s work “inspirational” when you only learned about them 20 minutes earlier. We hope you don’t mind.
Finally, we’re looking for input. We’re coming up on our three year anniversary (can you believe it) and the format needs to evolve more than just change. We’re thinking of adding more chatter about our hobbies and what we’re doing in the rest of our lives in addition. Don’t worry, we’ll still have a main topic for each show but the three of us aren’t feeling like we’re properly engaging you. We’re open to new thoughts and ideas so please give us some feedback of the kinds of shows you have liked, the types of episodes you don’t, and anything else you think would add to the show’s experience.
As always, thanks for listening and being a part of our world.
Rob, Rick, and Tony.
P.S. – Dear Nuge, never bring up the French!
What inspires you, I mean besides photography?
Rounding out the who “seven questions” series we did, Tony thought we should tell more about ourselves and what inspires us. But, this time, talk about the non-photography related things that inspire our photography. Specifically, he wanted us to reveal one hobby, one book and one other thing (yeah, it is annoyingly vague). So we did.
From cooking and brewing (of course) to graphic novels and a children’s book, we’re a pretty eclectic mix of guys. I think that’s why it works so well. As Rob points out, everything we have done, everything we have experienced, everything we have learned to any given point in life can be seen in the art. So don’t think being passionate about golfing doesn’t inspire your creativity!
And, for fuck’s sake – show some passion, will you?
Only had one artist today – the Knoll brothers. Back in 1987, these guys created Photoshop. So, love the state of digital photography today or hate it, these two guys have played a role in how you look at a photography.
What do you think? What inspires you? What else do you do?
This show is pretty late in coming out and I (Rob) have a perfectly good reason – I kinda forgot to put it out.
Anyway, great show tonight with a discussion on whether or not it’s still relevant to ask the question, “did they use Photoshop?” I had a conversation on twitter with a group of photographers on Twitter and it started off with a conversation about images that are staged or posed and, of course, it moved on to post-production. Then one of the other guys tosses this out, “Its deciding where photography ends and Photoshop wizadry starts.”
To which I asked, ” is that question still relevant?”
Think about when you listen to music – do you care which microphone or production software was used in making the final recording? Do you care about the process that the production engineer used? Of course not. When you look at a sculpture, do you care which chisels and hammers the artist used? Other than a curiosity in how something was achieved, of course we don’t care. We focus on the final piece.
So why is it that photographers have such a stick up their (okay, our) asses about the process by which a piece of art/photography is created? Did they use Photoshop? And don’t say that we don’t – we really do!
What do you think – if we are trying to produce art and are thinking/visualizing the final image when we capture it and/or manipulate it with software afterward, does it matter?
No, it doesn’t. So maybe it’s time that we collectively pull our heads out of our butts and just appreciate good imagery for the art that it is.
And, as always, let us know what you think in the comments below!
Easton Chang – an Australian photographer who shoots cars and has done some amazing Formula 1 stuff. Care to guess who chose him?
Grant Achatz – A Chicago chef recently in the news for his ranting about children (babies) being in his restaurant. Regardless of your thoughts on this controversy, he’s a culinary visionary. Watch his YouTube video:
Hey friends, We Have a Question!
We’re trying something new over the next few episodes and this starts it off. Instead of a “topic”, we’re each taking a turn and asking the other two a bunch of questions and giving each a maximum of three minutes per answer. So, in this episode, Rob has six questions that he asks Rick and Tony who, by the way, have no idea what the questions are. The questions run the gamut from personal opinion to industry predictions and the guys do a great job of thinking and answering on their feet.
And, as you listen to the very beginning of the questions, you’ll hear just how “in the dark” Rick and Tony are!
Here’s what Rick and Tony answer this episode:
- What are the three biggest mistakes you’ve made in the past with your photography?
- What are the three largest successes you’ve had in the past?
- If you could change one thing about your photography, what would it be?
- Where do you think photography will be in five years?
- What is the biggest thing to have happened in photography?
- Which artist is your biggest influence for your photography?
Next episode will be Rick’s turn to put Rob and Tony on the hot seat!
We’re back with both a photographer and an artist to highlight. The photographer for this show is Sandy Skoglund – a modern day surrealist who, unlike her earlier peers, manages to keep the subject matter lighthearted and bright. We all really like her work and it may have something to do with… SQUIRREL! Search her site, you’ll find the image we’re talking about.
Moving on, we look at Japanese painter Riusuke Fukahori. He paints goldfish but they’re three-dimensional and painted on/with resin and inside of traditional Japanese containers. The results are breathtaking – make sure you watch the short video.
Whaddya think? Were their answers good, bad, or irrelevant? Let us know in the comments, okay? Thanks for listening.
We’ve been on a pretty good tear, lately. Awesome topics and disagreements among the hosts. Some of our best shows ever! And, we think, today is no exception. Rick is the one behind tonight’s topic and he asks a simple question: will (or when) will 3D photography become common? And we get off onto a discussion about what’s causing the delay in the adoption of it. Is it the lack of technology? The lack of standards? The cost? The inability to use 3D filming to enhance the story instead of being the story? The fact that the porn industry hasn’t adopted it yet?
For over a century, we’ve understood how the mind process visual information to create the 3D effect. But the technologies that have been used to create it or to consume it has changed. But we still have to have some sort of gear in order to “see” it. Whether it’s paper glasses with the red and green lenses, lenticular lenses, etc., we still have to wear something or use a bulky piece of gear to experience 3D. But, possibly, we may have the answer in Google Glass. Sure, you’re going to look like a complete frickin’ dork wearing them, but if they can create a 3D HUD (heads up display), we may finally have a practical piece of 3D equipment that can get us past the tipping point of acceptance. As for being fashionable, if we as a culture accepted polyester leisure suits as fashionable, Google Glass stands a good chance of being considered chic.
What do you think? What would it take for you to fully embrace 3D photography? Does it need to be cheaper? Does it need to have a real purpose to it? Or do you care at all? Let us know in the comments section below, will ya?
Our artist for today is James Cameron. Dude does some crazy stuff, including epic movies like Avatar (designed for 3D, BTW). But it still gets us back to the idea that 3D photography is still about the effect and not the image. Until then, it’s pretty pointless.
Oh, and Celine Dion is the Justin Beaver of Canada (yes, we know it’s Bieber, so you have to listen to get the joke).
We took a different path today and decided to look at our own work. After two years (almost) of the podcast, we thought,”what the hell” and talked about the work we have done, where we have come from, and where we think we are going.
It gets a little sugary and supportive – certainly a departure from other podcasts – but we’ll be back next time with our normal crap. But this is a really decent show and gave all three of us an opportunity to look the other guys’ work and talk about it. You can definitely see a progression in the work we’ve done and the artistic vision that we’ve developed since starting Polarizing Images back in September 2011.
Take a look at the stuff below and let us know what you think. C’mon, leave us a comment – you know you want to!
The Work of Others (Our Artists)
Lewis Hine is our photographer of the fortnight. His work for the National Child Labor Committee changed the way the US looked at the use of child labor. He has some of the most iconic works of America’s industrial age. Except, like Rob discovered, some of his most well-known work isn’t actually his. ^#%&# Internet!
FREEBIRD! Yup, Lynyrd Skynyrd (the original group) is our artist. What do we have to say about them? Listen the show, then, dammit!
We started off really well. No, really we did.
Then it happened. And we’d like to apologize to, well, pretty much everyone: You’ve been listening to Polarizing Images and you guys just…
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